Our acapellas come as mp3 & some in WAV, they are perfect for using in the studio, we work hard to collect as many studio quality acapellas & isolated vocals as we can! our samples are used by studio professionals all over the world including sound engineers, sound designers, students in music production and sound engineering schools and classes, bedroom producers, world famous DJ's and many more. designed and maintained by music producers, keeping free acapellas and isolated vocals all in one place! Although our service is free, we do offer a pro account which has some great features and helps us cover the running costs of the website. is the worlds fastest growing acapella website, our aim is to collect widely available acapellas and bring them all to one place. 9 on the Billboard Hot 100 and was certified platinum by the RIAA, selling 1,000,000 copies in the United States.Craig Mack Ft Biggie, Busta Rhymes – Flava In Ya Ear (Studio Acapella) is available for download to music producers & audio engineers, the acapella was added on October 8th, 2019 Appearing on Bad Boy’s 10th Anniversary… The Hits, “Flava in Ya Ear” peaked at No. The song ultimately lost to “U.N.I.T.Y.” by Queen Latifah. The song became a milestone for Puff Daddy and Bad Boy Entertainment, receiving a Grammy Award nomination for Best Rap Solo Performance at the 37th Grammy Awards in 1995.
“For the next video,” says Henry, “we should have you jumping from planet to planet.” Mack’s eyes light up. The last step is to wet down the floor and turn on the tornado machine. When Craig steps in the beam, it’s as if he’s being teleported. It looks even freakier lit with multicolored concert lights. The great hall, designed to simulate outer space, is eight stories high, with wavy cement-brick walls embedded with cobalt blue glass. Puffy gives a pep talk: “You’re throwing dirt on other MCs you’re leaving them in their graves.” One more take and Craig’s shoveling on the beats. “I didn’t come here to shovel dirt,” he says. Craig’s supposed to throw dirt at the screen while he raps about “leaving suckers buried in the ground,” but he’s not feeling it. The camera is down in the grave with a piece of Plexiglass over the lens. The crew has struggled all morning to dig a grave in a rocky field nearby. “I always wanted to make a video with science fiction as the theme,” comments Henry in VIBE’s August 1994 issue, outside of the New York Hall of Science in Queens.
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